Karl Dallas of Melody Maker was kinder in direction of the album, expressing that "The 1st time I listened to this album I hated it ... It appeared so bland, so undemanding, so uneventful. I've got to admit it repays even further listening, and that it is not really the Digital Muzak I'd composed it off as initially." He also mentioned that it "is not really classical tunes" and that: "However the observe [referring to "Oxygène Component IV"] the discos are enjoying is, as you may perhaps expect, in fact its the very least helpful portion musically, it's precisely the same connection to well-liked audio as Tangerine Dream, say, or Oldfield.
Essentially the most good evaluation arrived from Robin Smith of Record Mirror, through which he said that, "It's rather rough to speak warmth by way of these types of new music and the top product or service is frequently stilted but Jean Michael Jarre has laid down a number of types joined together by cohesive lines." He also explained Jarre as a "French Mike Oldfield" by "possessing exactly the same emotive powers.
Une Edition proche form en Italie sous le titre Synthesis et en Allemagne sous le titre Musik aus Zeit und Raum (qui peut être traduit par "musique hors de l'espace-temps").
In early 1977, Jarre along with long-time collaborator Juvet decided to set jointly the exact same team from the album Mort ou vif and set about producing the album Paris by Night time [fr], which contained the strike single "Où sont les femmes?
Ce morceau sera repris sous le titre En attendant Cousteau sur l'album suivant et ensuite utilisé en guise de musique d'attente avant le début des concerts de Jarre.
He performed guitar in the band, but his musical design and style was Potentially most intensely affected by Pierre Schaeffer, a pioneer of musique concrète in the Groupe de Recherches Musicales.
Jean-Michel Jarre dit à propos de cet album : « J'ai voulu explorer l'univers de la rencontre car or truck l'homme a de plus en in addition de remedies pour parler mais est de moreover en moreover seul ». L'album est constitué d'un CD et un DVD five.one, ce dernier contenant le clip Téo & Téa et d'autres reward.
Jarre’s existing catalog, which now contains 22 studio albums, has created sales of greater than eighty five million all over the world up to now, and gained him many awards and nominations. During his vocation, Jarre has taken as canvas, many of the most legendary landmarks and UNESCO Planet Heritage websites throughout the globe for his Inventive, cultural, and environmental concept. He has also set new Guinness Globe Information for live audience attendance at concerts in several emblematic places.
Retrospective reviews regard the album as A significant work in the event of electronic tunes. Phil Alexander of Mojo shown it as one of Jarre's three key albums and wrote that it had been "his conscious attempt to unite the worlds of avant-garde, electronic, classical and progressive songs.
Chronologie was performed at a number of sixteen performances throughout Europe named Europe in Concert. These had been with a lesser scale than his former concert events, showcasing a miniature skyline, laser imaging and fireworks.
The release on the "Oxymore" album was followed by many groundbreaking virtual reality live shows. Jarre's immersive Stay reveals transported viewers to Digital worlds and showcased his progressive approach to his new music general performance.
In the course of 2001, he was commissioned by Match Téléeyesight to develop the sound style and design of the cable channel, and by Bang & Olufsen for the visual and audio style and design of their B&O Concept Store to the Champs-Elysées in Paris.
Jim Brenholts from AllMusic said that it "is without doubt one of the initial e-new music albums" Which it "has withstood the test of your time and also the evolution of digital electronica." He also viewed as that "Jarre's compositional style and his rhythmic instincts had been his sturdy details in 1976" Which "the innocence and freshness present almost all of its charm.
Thinking of the album like a French version of Mike Oldfield's perform, Audio Week explained: "Regrettably, Jarre has generated a piece that may be ponderous in its self-mindful musicality – he certainly Jean Michel Jarre wears his art on his sleeve. Unlike Oldfield, he under no circumstances stands again and laughs at his personal creation.